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Genesis Cinema Cinema - London - Listings and Film Reviews
For example, 'Thu 5.30pm' means a showing at 5.30 on Thursday only.
The weeks below run from the Friday to the following Thursday.
The best luxury cinemas in London - Secret London film guide
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65 leather armchairs, footstools and side tables make this Portobello cinema a truly pleasurable experience.
This small cinema chain is all about reviving independent cinema and what better way to do it than nestled within the comfort of a large sofa?
Think wine coolers, waiter service, armchairs and even the option of booking your own private suite, the Everyman chain proves cinema just got a whole lot fancier.
With quirky interiors, a ground floor café, first floor restaurant and even a members bar, this cinema is home to all the latest showings as well as documentaries and live theatre screenings.
With plush armchairs, cashmere blankets and angled view seating, this cinema really is all about making sure you get the most out of your movie.
Mile End Genesis Cinema - Things to do in London - All in London
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The Genesis Cinema started life as a music hall before being shifted into the guise of a grand theatre.
Located in Stepney Green, the Genesis is a throwback to a London cinema scene back when there was no social media, nineties neon was still big and the only drinks served at the movies were giant cups of pop, or at a push, Slush Puppies.Genesis has dragged itself into the present to some extent – it Tweets – but it has left just the right amount of its old charm for cinephiles to rejoice in.
Genesis Cinema has a little known screen by the name of Studio 5 up its sleeve.
In fact, many say that the greatest trick the Genesis Cinema ever pulled was to convince the world that they didn’t have another bar tucked away in Studio 5.
Not a ‘Johnny-come-lately’ player to the game, Genesis Cinema is a community cinema – you can tell by the prices.
Hotels near Genesis Cinema | HotelMap.com
Matt's Gallery - Jordan Baseman: Genesis Cinema
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Press Information Premiere of Jordan Baseman’s film Green Lady and launch of the publication 1973.
1973 has been developed and produced alongside Baseman’s 2011 residency at St. John’s College, University of Oxford, during which he also made the film Green Lady.
For this publication Baseman has interviewed the cultural commentators Pamela Church Gibson, Jonathan Griffin and Trish Lyons, documenting their experiences and thoughts in response to Green Lady.
Pamela Church Gibson is a Reader in Cultural and Historical Studies at the London College of Fashion, University of the Arts London.
This project is generously supported by Arts Council England, St John’s College, Oxford and The University of Oxford Biography Studied 1986–1988 MA Fine Art, Goldsmiths College, University of London; 1979–1983 BA (hons) Fine Art, Tyler School of Art, Temple University, Philadelphia, Pennsylvania, USA Solo Exhibitions 2017 1977, House of St. Barnabas, London 2016 2 22 92, Dolph Projects, London; Veil, Temporary Arts Projects, Southend 2015 Tape 1 Tape 2, PS1, University of Lincoln; July the Twelfth 1984, Matt’s Gallery at Hospital Club, London 2014 Nobody Likes Us But We Don’t Care, Kunstverein Freiburg 2013 Deadness, Matt’s Gallery, London; A Cold Hand on a Cold Day, Fabrica, Brighton 2012 Green Lady, Modern Art Oxford at Story Museum, Oxford 2011 1973, Matt's Gallery at Genesis Cinema, London; Nasty Piece of Stuff, Aberdeen Art Gallery, Aberdeen 2010 The Most Powerful Weapon in this World, Baltic Centre for Contemporary Art, Gateshead; Nature's Great Experiment, Modern Art Oxford and Catalyst Arts, Belfast 2009 Blue Movie, Matt's Gallery, London; Dark is the Night, Artsway, Hampshire & The Photographers' Gallery, London; a hypnotic effect, Collective Gallery, Edinburgh 2008 Inside Man, Aberystwyth Arts Centre, University of Wales; The Documentary Imperative, Manchester Museum, Manchester 2007 Joy on Toast, Manchester Museum, Manchester; (I Can't Get No) Satisfaction, Hatton Gallery, Newcastle; Nature's Great Experiment, Wellcome Collection, London; Tape 1 Tape 2, Monash University Gallery, Melbourne, Australia 2006 luv is gonna get you someday, Maus Habitos, Porto, Portugal; Sunday Morning, Site Gallery, Sheffield 2005 don't stop 'til you get enough, Matt's Gallery, London 2004 July The Twelfth 1984, Kaliman Gallery, Sydney, Australia 2003 City of Angels, Triskel Arts Centre, Cork, Ireland; EF103 603, University of Dundee, Dundee, Scotland 2002 1 + 1 = 1 / Under the Blood, Art Gallery + Museum, Royal Pump Rooms, Leamington Spa; Under the Blood / 1 + 1 = 1, Wysing Arts, Cambridge 2001 Raceway Queen, The Collective Gallery, Edinburgh; Lonesome Town, The Laing Gallery, Newcastle; The Comedians, The Newman Rooms, Oxford 2000 here, Grizedale Forest, Cumbria 1999 the history of existentialism, Wigmore Fine Art, London 1998 SHUP a screenplay/Performance, The Agency, London; more lies, Mario Flecha Gallery, Girona, Spain 1997 The Party and other things, Richard Salmon Gallery, London; blunt objects, Galerie Eugen Lendl, Graz, Austria; Births, marriages, and deaths, The Serpentine Gallery @ Marylebone Town Hall, London 1996 vox humana, Galerie 5020, Salzburg, Austria 1994 F is for love, Mario Flecha Gallery, London and HeberPercy Gallery, Warwickshire 1993 Galerie Guy Ledune, Brussels Group Exhibitions & Screenings 2017 Out of Body, Irish Film Institute, Dublin; Fargo Film Festival, Fargo; School of the Damned Screening, SuperNormal, Oxford; London Short Film Festival, Picture House Central, London; Montclaire Film Festival, New Jersey 2016 Experimental Animation, Close-Up Cinema, London; Cork International Film Festival, Cork; Aesthetica Film Festival, York; Melbourne Underground Film Festival, Melbourne; New Orleans International Film Festival, Portland; Edge of Frame, DSFL, London; Stories in the Dark, Whitstable Biennale; Flat Death, Open Eye, Liverpool 2015 Essex Road 2, Tintype, London; FUSO International Video Art Festival, Lisbon; Aesthetica Film Festival, York; FILMadrid, Madrid International Film Festival, Madrid; Sequences 7, The Living Art Museum, Reykjavik; London Short Film Festival, Hackney Picture House, London; Freedom Lies, The Collection, Lincoln; Strangelove Film Festival, University of the Arts London, London; Big Muddy Film Festival, Southern Illinois University, Carbondale; MAC International, MAC, Belfast; Seville International Film Festival, Seville; Aesthetica Film Festival, York; See it This, Forde Space, Geneva; Hey, Im Mr. Poetic…, Wysing Arts, Cambridge; Sites of Collective Memory, Animate Project London 2014 Between Subject and Object, University of Cape Town, Cape Town; Art (After) Death, Royal Academy Schools, Lauderdale House, London; 2013 Oxford Film Festival, Oxford (Mississippi); 3AM: Wonder, Paranoia and the Restless Night, Bluecoat, Liverpool; Atlanta Underground Film Festival, Atlanta; Imagina Animation Festival, Lima; 971 horses + 4 zebras, MADA Gallery, Melbourne; Athens International Film Festival, Athens (Ohio); Kansas City International Film Festival, Kansas City; Independent Filmmakers Showcase, Hollywood; Berlin Independent Film Festival, Berlin; Fargo Film Festival, Fargo; 971 horses + 4 zebras, Contemporary Art Spaces Tasmania, Hobart 2012 971 horses + 4 zebras, Tate Modern and Wimbledon Space, London; Light Assembly, Miami Art Basel, Miami; Made in Three Mills Film Festival, London; I Would Breathe Water, Sarah Scout Gallery, Melbourne; COMPASS, Beacon Art Project, Lincolnshire; Audio: Jordan Baseman y Susan Hiller, Fundacio Tapies, Barcelona; Animasivo Festival, Mexico City; Oaxaca International Film Festival, Oaxaca; San Francisco Short Film Festival, San Francisco; Tokyo Story, Tokyo Wonder Site, Tokyo; Independent Filmmakers Showcase, Hollywood; London Short Film Festival, Institute of Contemporary Art, London 2011 Lone Star Film Festival, Fort Worth, Texas; Edinburgh Documentary Film Festival, Edinburgh; Dark Matters, Whitworth Art Gallery, Manchester; Among the Nightingales, Castlefield Gallery, Manchester; When the Dead Help the Living, Light Projects, Melbourne; Volta + Armory, Artprojx Cinema, SVA Theater, New York; London Short Film Festival, London; Moving Portraits, De la Warr Pavilion, Bexhill on Sea; Coming of Age, Great Northern Museum, Newcastle 2010 Los Angeles Animation Festival, California; San Francisco International Short Film Festival, California; ResoVision, Resonance FM @ Frieze Art Fair; The All Sided Game, Edinburgh Film Guild Cinema, Edinburgh; Among the Nightingales, Tatton Park Biennial, Tatton Park; Adding Complexity to Confusion, Late at Tate, Tate Britain; Melbourne Underground Film Festival, Melbourne, Australia; Fools in Print, Berkley Art Museum, California; Voice/Under, Sixes and Sevens, White Box Studio, Nottingham; Glimmer, Hull International Film Festival, Hull; Gstaad Film Festival, Gstaad, Switzerland; Film, Video, Performance, Wimbledon College of Art, London 2009 New Forest Pavilion, 53rd Venice Biennale, Venice, Italy; Leading Lights, Several Pursuits Gallery, Berlin, Germany; Talk Show/Speakeasy, Institute of Contemporary Art, London; Ways of Living, Guest Room, London; Fool Me, drift, New Media Scotland, Edinburgh ; Salon S1, S1, Sheffield 2008 Stop.Watch., British Film Institute, London ; Reading Experimental Film Festival, Rising Sun Art Centre, Reading; Folie A Plusiers, MCO Arte Contemporanea, Porto, Portugal; Drawn Encounter
Genesis Cinema Whitechapel | Cinemas in Stepney, London
Lucky old Whitechapel.
They get to have the gorgeous Genesis as their local.
There’s a bar upstairs, and if you want to fill your face, you’re in for a treat.
Choose between crodoughs from nearby 100-year-old bakery Rinkoffs, or the snack bar with a wall of Pick ’n’ Mix or jumbo hotdogs from World’s Wurst (terrible name, brilliant bangers, from £3.90).
Book seats in the Studio 5 boutique screening room with armchairs and a cosy bar for a date.